With their second album, Dreaming The Strife For Love, Italy’s BEDSORE has jumped headfirst into the progressive warmth and obscure atmospheres of the 1970s. Inspired by the mysterious renaissance-era book Hypnerotomachia Poliphili, the album musically weaves the concepts of love as a battlefield, where desire and devotion are tested through trials and spiritual awakenings, with visions of pagan temples, mystical gardens, and arcane symbols.
An aspirational and operatic aura envelops Dreaming The Strife For Love, from the longer compositions and spacious production to the extravagant and diverse instrumentation that includes 12-string guitar, copious use of synthesizers, mellotron and organs, fretless bass, percussion and horns; the dynamic range of the album embracing the most crucial elements of prog rock’s lofty imagination.
Though the progressive side of BEDSORE has been given much more room to stretch out, the death metal foundations remain present in the DNA. Vocally throughout the album the agonized screams of Jacopo Gianmaria Pepe endure, and the manic dark death and blackened metal riffs now segue and merge into the whole more adeptly than ever before. This results in an album that, rather than feeling like two separate albums in one, embraces a coherence for both forms, to create a surreal, reality-bending immersion wholly their own.
Lush, symphonic, ambitious, and romantic in scope, Dreaming The Strife For Love is 2024’s most surprising fusion of 1970s progressive and dark death metal, old and new production elements, the passionate and the horrific. Like so many of their Italian brethren, from Goblin and Devil Doll to Death SS and Black Hole, BEDSORE both embraces tradition and blows it up simultaneously.
Dreaming The Strife For Love’s primary recording sessions transpired at NMG Recording Studios, engineered by Lorenzo Stecconi and assisted by Alex Di Nunzio, and at Le Trombe degli Angeli Studios by Jacopo Gianmaria Pepe and Stefano Allegretti. The Hammond B3 Organ, Farfisa Organ, ARP Solina, Harpsichord, and Minimoog Model D were recorded at Blind Faith Recording Studio, engineered by Lorenzo Stecconi and assisted by Luca Sapio. Mixed by Lorenzo Stecconi and mastered by Magnus Lindberg, the record is completed with cover paintings by Denis Forkas Kostromitin (Wolves in The Throne Room, Black Curse), additional illustrations by Costin Chioreanu (Edge Of Sanity, Cavalera, Jethro Tull), layout by Eve Paciocco, and photography by Francesco Maria Pepe.
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